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You're damned if you do, your'e damned if you don't, so at the end of the day it's really about doing what pleases you. There's nothing wrong with working with no artist from any type of demographic, but you’ve still got to maintain what you do on whatever track it is.
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There's nothing wrong with working with TI.
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But for the most part it's on you to know how to do what you do and adjust. So that's already like a shot at our culture. R&B, you don't call it Atlanta R&B, you know what I mean. Country is just country rather than wherever it's from. That's one thing that I hate, like, down South rap, or up North rap.
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Rap's the only music that they categorize like that. And it still don't lose none of what you want, what you were looking for from me. I could rap on a down South beat, per se. And you’ve just got to be able to make that marriage when you do them features. It sounds more like a nice mixture as opposed to it sounding more like a Future song. What about musically? Like, Atlanta rap is the hottest right now, and a lot of people are wondering how New York rap might adapt. You can't expect the same things that were so vainglorious in my heyday-I still feel like I'm in my heyday, but you know, like, young 'Kiss. And know that it's not the same-when I go into a party now, it ain't gonna be like when I went to the Palladium with Big. But you’ve got to be places, you’ve got to embrace the new stuff, you’ve got to see what's going on out there, incorporate it somewhat into what you do, without compromising what you do. Sometimes you’ve got to be somewhere you ain't invited to and be a fly on the wall, even though it's hard for me to be a fly on the wall because somebody’s gonna recognize me and want to bring me to their section. I try to stay fresh in the business by just being out there. You’ve outlasted half the people you came up with. I would tell a young Jadakiss, learn the game as much as you learn how to rap, as seriously you take a 16-bar verse, take every contract and every meeting and every opportunity to listen and learn, you know what I'm saying. You’ve probably been grinding and struggling for so long that when it finally happens you really don't-even if the contract is bad, you don't care because you’re that thirsty, or you don't even take the time to get all in depth with it. ‘Cause you just be so passionate and so thirsty to want to ink a record deal, or you want to get on TV, or you want to be heard.
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I don't think people educate themselves enough. Just as much as you want to be a critically acclaimed rapper or producer or a strong pillar in the hip-hop industry. Jadakiss: I would tell a young Jadakiss to learn, as nice as you got in rhyme, rapping, try to be that, keep a parallel on learning the business. Noisey: What would you go back and tell like a young Jadakiss, just starting out? Seriously, when that rap museum opens, let’s hope Jadakiss gets some time to offer some opening remarks.
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But that Jadakiss was also, as usual, as hard as it gets-and full of great insight and stories about rap history. They’re cluttered with fast food, liquor stores.”) and being a father to newborn twins.
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That Jadakiss was happy to crack jokes about basketball and explain that he’s been quiet the last couple years because he’s been running his Juices for Life juice bars in the Bronx and Yonkers (“It’s just bringing health awareness to our neighborhoods. It certainly makes him sound larger and more imposing than the average-sized guy who came by the office dressed in a Raekwon-themed purple jacket and sneakers. Maybe that voice alone makes ‘Kiss a top five rapper. Jadakiss has the type of menacing, once-in-a-generation voice that instantly commands your attention on a track. His laugh is among hip-hop’s most iconic sounds. He made a song with Chief Keef and Kanye West. He made “Knock Yourself Out” and also, in that song’s video, made the paper towel bandana a thing. And he’s done it without going up his own ass and becoming a grumpy old man (although there are two jabs at skinny jeans within the first five minutes of his new album), instead adjusting for whatever the commercial sound of the moment is without compromising who he is. Here’s what’s certain: Jadakiss has lasted two decades-as part of the LOX, as one of Diddy’s ghostwrtiers, and as a solo artist-as a rapper making the kind of sharp-tongued, punchline-filled rap songs that will give you whiplash the moment you figure out what color the whip is.